Italian Early Renaissance Painter, ca.1470-1528,was an Italian painter of the Renaissance period, active mainly in Bergamo. He was a pupil of the painter Giovanni Bellini. In Bergamo, he painted a John the Baptist preaching with other saints (1515) for the church of Santo Spirito; a San Benedetto and other saints for the Cathedral of Bergamo, and a Deposition from the Cross for Sant Andrea.  Related Paintings of Andrea Previtali :. | nedan | Painting | Woman in a Red Bodice and Her Child | The Madonna of Charity | Second Ursuline Convent |
Related Artists:
Nicolas Tournier
(baptised 12 July 1590 - d. before February 1639) was a French Baroque painter. Born in Montbeliard, he followed the profession of his father, Andre Tournier, "a Protestant painter from Besançon". Little is known of his life before his arrival in Rome, where he worked between 1619 and 1626, and where he was influenced by the work of Caravaggio. According to one early source, he was a pupil of Valentin de Boulogne.Tournier's Roman paintings are stylistically close to the works of Bartolomeo Manfredi. He painted both secular and religious subjects; an example of the latter is The Crucifixion with St. Vincent de Paul (Paris, The Louvre). After 1626 Tournier was active in southern France. He died in Toulouse. His work The Carrying of the Cross, painted around 1632, originally hung in the Toulouse chapel of the Company of the Black Penitents. During the French Revolution it was confiscated by the state and moved to a museum, from where it was stolen in 1818. After being lost for nearly two centuries, it reappeared in 2009 during an art collector's estate sale in Florence; when the Weiss Gallery of London purchased it in a Paris auction in 2011, the French government classified it as stolen property and banned it from leaving the country.
William Rothenstein
English Painter, 1872-1945 English painter, printmaker, teacher and writer. He was the son of a wool merchant and delighted in the grim landscape of his native Yorkshire, which was the subject of some early watercolours. At 16 he left Bradford to attend the Slade School of Art, London (1888-9), where he was a pupil of Alphonse Legros, and the Acad?mie Julian, Paris (1889-93). His talent was recognized as early as 1891, when an exhibition of his work and that of Charles Conder at the Galerie Hadrien Thomas in Paris attracted the attention of many artists including Pissarro and Degas. The latter invited Rothenstein to visit his studio and became a major influence on his development. After an inspiring four years he left Paris for Oxford
CONINXLOO, Gillis van
Flemish Northern Renaissance Painter, 1544-1607 Flemish landscape painter. His Judgment of Midas (Dresden), Latona (Hermitage, St. Petersburg), and above all the Landscape with Figures (Liechtenstein Gall., Vienna) are fine examples of his art. Coninxloo's paintings, characterized by fantasy, warm tones, and refined realism,